This original song demo by Phil Collins (best remembered in animation/cartoon circles for the songs that he did on Disney’s Tarzan movie), “Rhythm Piece”, became the song “Trashing the Camp” in Disney’s Tarzan movie (1999).

You know, I am a longtime fan of Phil Collins’ music, so I hope to incorporate Phil Collins songs old and/or new into something like a dinosaur-infused semi-autobiographical fantasy set in an alternate world where dinosaurs and modern humans live side by side (albeit in a more believably modern way than in the Flintstones cartoons or in Jurassic Park) about the touching friendship between a little kid adventurer based on my boyhood self and a young Asian woman (partially inspired by Big Hero 6′s Go Go Tomago or something).

Believe me; My Dinosaur-Infused Semi-Autobiographical Fantasy should be scored with a Phil Collins soundtrack/mix-tape/whatever!

Here’s another original song demo done for Disney’s Tarzan movie by Phil Collins (the music of whom I am a longtime fan), called I’ll Follow You, which became “Strangers Like Me” in Disney’s finished Tarzan movie.

And as for you, Go Go Tomago, guess what? 

I love Phil Collins’ music! 

Given that I wanted the actual music score for my ToonTalker movie idea to be this lush, ambitious, if unusual, bizarre blend of epic, cinematic (and at times romantic) music (mainly for orchestra), some bits of toon music (for some of ToonTalker’s more comedic bits) and world music using unusual and ethnic musical instruments from all around the world–whether it’s Asian or Native American flutes, or a didgeridoo, which is an Australian Aboriginal woodwind instrument, or even a taiko drum, which is some big-ass kind of Japanese musical percussion instrument…

One of my ideas for the music of ToonTalker is that I might used something like much of Phil Collins and Mark Mancina’s score for Disney’s Brother Bear (2003) as among the temp music while I might be cutting and finishing up or even perfect my ToonTalker movie idea, and in fact, if a composer would ever be brought on to do the music for my ToonTalker movie idea, I wanted that composer to delve more and more deeply into ethnic percussion and other ethnic musical sounds for my ToonTalker movie idea–for example, the composer’s earliest compositions for my movie might consist entirely of ethnic or traditional Japanese instruments and music. At my suggestion, the composer should also incorporate more orchestral music and punctuate such with ethnic vocalizations as well as even Japanese-inspired musical percussion and woodwinds.

Just saying!

But I am also asking you guys this:

What kind of appropriate musical instruments (and appropriate music) should a music composer and I use to represent the diverse cultures of my live action human boy’s live action American family, and his animated cartoon love’s animated cartoon Japanese family, respectively?

This will presumably inspire some Dinosaur Watering Hole music in my planned dinosaur-filled high school teen comedy adventure fantasy yarn of a movie to be called ‘Mighty Jack’ Skyler, in which the eccentric, home-schooled, teenage adventurer of the title shows a group (or bunch) of high school teenage kids around his so-called ‘playground’–which turns out to be a primeval landscape that the high school kids were amazed to discover that prehistoric dinosaurs roam–before giving up wrestling with the mighty prehistoric saurian creatures or dinosaurs to tangle with the schoolyard bullies, mean girls, and other trouble-making teens that infest the teenage kids’ faraway high school campus, but…

Here is the brief 17 seconds of music that begins the so-called Elephant Falls scene in Disney’s 1999 Tarzan movie, the Phil Collins songs and the Mark Mancina score of which I like the most besides the 3D CGI Deep Canvas jungle scenes…

There may be a chance that the elephant (or at least the African Elephant) may be in great danger of becoming extinct in the future, just like the dinosaurs and the mammoths before it…